In the memoir Motorcycle Diaries, Ernesto Guevara embarks on a pilgrimage of ego discovery through Latin America. With his companion, Alberto Granado, they set off on their motorcycle, La Ponderosa II. It is the true account of a journey that later turned into a film which touched the souls of many. al roughly Americans would say a movies visualizations are better embraced because you are satisfactory to witness it as opposed to reading it. Readers are fitted to connect to Guevara better than the people who watch the movie because he uses such unique and beautiful language to illustrate his journey.
        passim the book, Guevara expresses through beautiful language how Latin America truly is. For practice, Ernesto wrote, The road snakes between the low foothills that sound the beginning of the majuscule cordillera of the Andes, then descends steeply until it reaches an unattractive, negligible town, surrounded in overhasty contrast magnificent, densely wooden mountains (104). Guevara gives the landscape such an signify touch. So much detail is put into one fourth dimension that we are immediately able to visualize it. He goes on illustrating every event like this throughout the book. He uses descriptive words that fit perfectly into the sentence. Words like snakes and miserable town are unique but appropriate.
In addition, he uses beautiful phrases like the great cordillera and densely wooden mountains to effect a vivid picture in the readers mind. Another example of this is on page 127, when Ernesto describes Machu Picchu and Huayna Picchu. ...here we found the pure expression of the most powerful indigenous race in the Americas - untouched by a conquering civilization and panoptic of immensely reverberative treasures. The spectacular landscape circling the fortress supplies an essential backdrop, inspiring dreamers to cheat on its ruins for the sake of it (127). Here again, he...
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