Compare and contrast two of the three key texts.
        Discussed in this taste are two handwritings; English Art and Modernism 1900 - 1939 compose by Charles Harrison, published in 1981 and Contemporary British Art, create verbally by Herbert Read published in 1951. Although it may appear unusual to include the published dates of the withstands in this portion of the experiment it is important to understand the different prospective each of the generators had. The dates give tongue to that Harrison had much more epoch to reflect on historic events and this retrospective view point may arrive foggy his judgment or contain miss informed randomness in a Chinese whisper effect. Where as Reads book is most likely to have been written as the art was happening; he includes discussion about art hunt with dates from 1950 (only a year before publishing.) There are advantages to this method, the writer can write about the art as and when it happens, vibes and feelings about each movement can be captured on paper, such feelings or opinions which may be lost with time or hindsight. However, one must question how his relationship with the artists would have influenced the book enormously, quite possibly in a slanting way.
The way in which Read chooses to discuss the end of a time line could also be a disfavour because he has not allowed himself any reflective over lap covering unlike Harrison.
        Contemporary British Art attempts at incident rather than opinion, this is stated in the opening paragraph of the book thought the reader will not expect the inert objectivity appropriate to an official report, I use schematic phraseology to describe my aim because this is not a memorialize of my personal opinions. Does Read state this to try and avoid reproval about biased possibilities? It is a fairly systematically...
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