Wuthering Heights is presented by sev timel different narrators, which include Nelly doyen and Lockwood. Although these voices do change, the novel also includes a letter from Isabella. An unpatterned feature is the flashback technique, which comprises of a non-linear plot. The Yorkshire dialect makes the story seem tangible of that period of time, that is the early eighteen hundreds and reflects the mentality of the people at the time.
Two of the most powerful images in the novel include the moors and the supernatural. This ornament is comprised primarily of moors: bad expanses, high but somewhat soggy, and indeed infertile. Moorland bumnot be cultivated, and its uniformity makes navigation difficult. It features particularly spongelike patches in which people could potentially drown. (This possibility is mentioned several propagation in Wuthering Heights.) Thus, the moors serve very well as symbols of the wild threat posed by nature. As the setting for the beginnings of Catherine and Heathcliffs stick with since the two play on the moors during childhood, the moor land transfers its typic associations onto the love affair
Ghosts appear throughout Wuthering Heights, as they do in most other works of Gothic fiction, withal Bronte always presents them in such a way that whether they very exist remains ambiguous. Thus the world of the novel can always be interpreted as a down-to-earth one.
Certain ghosts--such as Catherines spirit when it appears to Lockwood in Chapter three--may be explained as nightmares. The villagers alleged sightings of Heathcliffs ghost in Chapter thirty-four could be discharged as unverified superstition. Whether or not the ghosts are real, they represent the manifestation of the past within the present, and the way memory rest with people, permeating their day-to-day lives. We should not forget that during the Victorian era the supernatural and the sublime were considered real by...
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