Wednesday, May 15, 2019
A comparison and contrast between American and European art Essay
A similarity and contrast between American and European art - Essay ExampleAllentown Art Museum displays artistic creations from entirely over the world. The two paintings that caught my attention are Madonna and child enthroned by Jacopo Del Casentino and Mr. Darlingtons Still Life by George Cope.Madonna and child enthroned is the only known work offici whollyy signed by Jacopo Del Casentino. The miniaturist piece was restored in 1992, and has since caused dispute about the date of the artists work. Some historians date the painting around 1340, whereas recently it has been pushed back to 1325 by historian Miklos Boskovits. Casentinos Madonna and Child Enthroned is featured at the center panel of a miniature tabernacle triptych, which in total measures approximately 39 x 42 inches. bloody shame and savior are touch by four angels, as well as Saint Bernard and Saint John the Baptist. This panel measures 18 x 9 inches, and the texture is tempera on poplar wood. The painting both represents mediaeval traits and traits that pore on humanism. The hierarchy of the figures in the paintings expresses religious symbolism - Mary and Jesus are above all else. Certain other qualities recall the Gothic style that was most often seen in Cimabue and Duccios paintings. For instance, the Madonna appears large than anything else in the triptych. Also, the divine halos surrounding the figures and the gold background of the painting are both indicative of the Gothic style. On the other hand, certain characteristics like Marys protruding knees, drapery, and the symmetry and realistic features of the angels lend themselves to Casentinos interest in humanism. This piece is similarly reminiscent of Robert Campins Merode Altarpiece without the humanistic symbolism. The similarity is that Casentinos could act as an altarpiece - the triptych fashion portrays a continuous narrative where the baby Jesus and the crucified Jesus are shown in the collective piece. Mary also appears twice - once on the throne in the center panel, and then again on the right panel at the crucifixion, both times wearing the same drapery and red textile shirt. The background behind the throne as well as in the other panels is very enhancive and Gothic. The presence of Saint Bernard and Saint John the Baptist as well as the angels around the throne shows the import of the enthroned Madonna and Child. The saints are drawn with prayer books in hand, and looking up at Mary and Jesus as the vantage point - the perspective draws to Jesus and the center of Marys head.(http//yelenasarsblog.blogspot.com/2008/03/jacopo-del-casentinos-madonna-and-child.html)Jacopo del Casentino, also known as Jacopo Landino, was a Florentine painter and miniaturist who lived during the fourteenth century. He was also one of the founders of the Academy of Saint Luke at Florence in 1349, which acted as a guild for painters and miniaturists like himself. Casentino specialized in small devotional altars comm issioned for privy worship. Along with artists such as Bernardo Daddi, Casentino helped popularize these altars throughout Italy. As with many of his contemporaries, he was influenced by the early master, Giotto (1267 - 1337), who Daddi was an apprentice of. Both Casentino and Daddi showed an influence from the Sienese style of painting in their works. It is noted that Casentino may have been in Giottos workshop and was a pupil of another Giotto follower, Taddeo Gaddi (1300 - 1366). It has been mentioned that the later Gothic style Casentino painted in was also influenced by the Sienese painters Pietro Lorenzetti (1280 - 1348) and his brother Ambrogio (1290 - 1348). (http//yelenasarsblog.blogspot.com/2008/03/jacopo-del-casentinos-madonna-and-child.html)(http//www.virtualuffizi.com/biography/Jacopo-del-Casentino.htm)George Cope (1855-1929) was an artist who stayed close to home. He began his career painting the succulent Brandywine River Valley landscape in Chester County, Pennsyl vania, and its wildlife and architecture. He later explored realism in highly detailed
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